
From the forthcoming, so-far excellent book "William S. Burroughs and the Cult of Rock 'n' Roll" by Casey Rae:
Commoditized as it may be, no one would argue against music’s power to move the masses, even in today’s so-called distraction economy. In 2014, hip-hop producer Pharrell inspired millions in every corner of the world to make fan videos for his song “Happy.” The track exploded on YouTube, a site whose global reach and influence has come to define “viral.” These days record labels, movie studios, artists, and political candidates all seek to capitalize on contagion. This is the modern media hustle, where you’re either a pusher or a mark.
Burroughs died nearly a decade before YouTube was a glimmer in its developers’ eyes, but he was a lifelong student of influence; specifically, how the virus of word and sound can shape the destiny of humankind. As he explained in 1986:
My general theory since 1971 has been that the Word is literally a virus, and that it has not been recognized as such because it has achieved a state of relatively stable symbiosis with its human host; that is to say, the Word Virus (the Other Half) has established itself so firmly as an accepted part of the human organism that it can now sneer at gangster viruses like smallpox and turn them in to the Pasteur Institute. But the Word clearly bears the single identifying feature of virus: it is an organism with no internal function other than to replicate itself.
In the Burroughs worldview, language is a mechanism of what the author called Control with a capital C: an insidious force that limits human freedom and potential. Words produce mental triggers that we can sometimes intuit but never entirely comprehend, making us highly susceptible to influence. But there’s an upside: language can also be used to liberate by short-circuiting preprogrammed ideas and associations. Burroughs believed humanity is held back by constraints imposed by hostile external forces that express themselves in our reality as various aspects of the Establishment.
Using fragments of word, sound, and image, reordered and weaponized, Burroughs sought to dismantle Control and its systems. His stance inspired other artists across generations and genres to use similar methods to rattle the status quo in ways that even he could not anticipate. You’ll get to know them, and their connections to Burroughs, as his story unfolds.
Read more about the book to get ready for it by going here:
https://www.rocknrollburroughs.com/